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The work itself.

Studio pieces and student work, grouped by script. Every piece was made by hand, on paper, in a live class or in the practice between them.

A quote written in brush pen on handmade paper with a coffee wash — Plate IBrush Pen

Basic stroke drills in black brush pen on grid paper — Plate IIBrush Pen

The word hello repeated in neon brush pen colours on grid paper — Plate IIIBrush Pen

Devanagari couplet in black ink, with long flourished connecting strokes — Plate IVDevanagari

Two Devanagari couplets on paper, lit by window shadows — Plate VDevanagari

Devanagari letterforms written with broad nib fountain pens, shown beside the pens — Plate VIDevanagari

Devanagari couplets by Mir Taqi Mir lettered onto festival banners at an outdoor installation — Plate VIIDevanagari

How Do I Love Thee by Elizabeth Barrett Browning, written in full in Copperplate with shaded coloured ink — Plate VIIICopperplate

Commissioned Copperplate lettering on a printed card with watercolour botanicals — Plate IXCopperplate

Close view of Copperplate being written with an oblique holder and pointed nib — Plate XCopperplate

Copperplate practice in brown ink on ruled guideline paper — Plate XICopperplate

The words Catch Glory written with large ornamental flourishes on grid paper — Plate XIIFlourishing

Flourished names and ornamental capitals across practice sheets — Plate XIIIFlourishing

Ornamental penmanship exercises with flourished capitals, including Practical Penmanship and Bills Receivable — Plate XIVFlourishing

Flourished name cards lettered in black on red and blue paper — Plate XVFlourishing

Twelve to twenty pieces needed here, minimum 2000px on the long edge, plus a caption for each if you want them.

Want to make work like this?

Start with the script that suits your hand. We will tell you which one that is.

See the four workshops Ask on WhatsApp